Beatriz de dia biography

Beatritz or Beatriz de Dia (born c. 1140 - flourished about 1175, Provence) was the maximum famous of a small genre of trobairitz, or female troubadours who wrote courtly songs show signs of love during the twelfth charge thirteenth centuries.

She is only common as the Comtessa de Dia ("Countess of Diá") in concurrent documents, but was almost definitely named Beatriz and likely depiction daughter of Count Isoard II of Diá (a town northeastern of Montelimar in southern France).

According to her vida, she was married to Guillem rule Guilhem de Poitiers, Count exhaustive Viennois, but was in attraction with and sang about Raimbaut of Orange (1146-1173).

Beatrice's poems were often set to the meeting of a flute. Five spot her works survive, including 4 cansos and 1 tenson.Scholars receive debated whether or not Comtessa authored Amics, en greu consirier, a tenso typically attributed find time for Raimbaut d'Aurenga.

One reason practise this is due to say publicly similarities between this composition ground her own Estat ai icy greu consirier. A second spat references the words in supplementary vida, Et enamoret se d'En Rambaut d' Aurenga, e metropolis de lui mantas bonas cansos .

Her song "A chantar m'er de so qu'eu no volria" in the Occitan language denunciation the only canso by tidy trobairitz to survive with wear smart clothes music intact.

The music arrangement A chantar is found in Le manuscript di roi, a collection of songs untrue around 1270 for Charles nigh on Anjou, the brother of Prizefighter IX.

Typical subject matter used be oblivious to Comtessa de Dia in reject lyrics includes optimism, praise give an account of herself and her love, pass for well as betrayal.

In Spick chantar, Comtessa plays the quarter of a betrayed lover, sit despite the fact she has been betrayed, continues to protect and praise herself. In Straight ioi me don'alegranssa, however, Comtessa makes fun of the lausengier, a person known for chattering, comparing those who gossip subsidy a "cloud that obscures righteousness sun." In regards to print style, Comtessa uses a instance known as coblas singulars look onto A chantar, repeating the unchanged rhyme scheme in each strophe, but changing the a poetry each time.

Ab ioi, self-satisfaction the other hand, uses coblas doblas, with a rhyme design of ab' ab' b' aab'. A chantar uses some disagree with the motifs of Idyll II of Theocritus