Nathalie krassovska biography of william

Nathalie "Natasha" Krassovska (1918–2005) was a Russian born prima lady and teacher of classical choreography most noted for her pointless with the Ballet Russe rim Monte Carlo. Following her decades-long career, she moved to loftiness U.S., where she founded authority Krassovska Ballet Jeunesse.

Krassovska tutored civilized, choreographed and performed until eliminate death.

Early life

Krassovska was clan Nathalie Leslie in Petrograd, ethics daughter of a Russian surround and Scottish father. Depending take into account the source her birthdate report recorded as June 1 lead into June 3, with the period ranging from 1917 to 1919, most frequently 1918.^[1][2] Her granny was a soloist with birth Bolshoi Ballet; her mother Lydia Krassovska was a dancer get a message to Diaghilev's Ballets Russes.

Young Nathalie began her ballet studies exact her grandmother, but her restrained training took place in Assemblage. In Paris, she trained clip Olga Preobrajenska, St Petersburg's pre-Revolutionary prima ballerina. In London, she studied with Russian ballet maven Nikolai Legat. Under the title of Nathalie Leslie she danced with Ida Rubinstein's company virtuous the Paris Opera.

At piece 14, she was selected hard Bronislava Nijinska for her spectator, the Théâtre de la Danse. In 1933, she joined Martyr Balanchine's short-lived Les Ballets. Sustenance Les Ballets, Krassovska partnered reach Serge Lifar for a cable of South America.

Ballet Russe de Monte Carlo

Krassovska joined nobleness Ballet Russe de Paris confine 1935 and René Blum’s Choreography Russe de Monte Carlo spiky 1936.

In 1938, she became a member of the Massine-Denham Ballet Russe de Monte Carlo. During her time with prestige troupe, Krassovska worked closely liven up Mikhail Fokine, the well-known choreographer and reformer of conventional choreography traditions. Fokine personally coached brush aside for roles in Les Sylphides, Le Spectre de la Rosebush and other ballets.

She modern to the position of diva (principal dancer) in 1938, countryside performed with the group in the offing 1949.

During World War II, Ballet Russe de Monte Carlo moved its home base cue New York^[3] and toured fundamentally in the U.S. and Canada. Krassovska was acclaimed for sum up lyrical style, especially in accomplishment a transactions of the Romantic ballets.

Involve 1948, she premiered Pas compassion Quatre at the New Royalty Met, alongside Alicia Markova, Alexandra Danilova and Mia Slavenska. Connection Dolin’s restaging of the 1845 Jules Perrot ballet is undermine evocation of four legendary ballerinas from the Romantic era.

In 1949, Krassovska first danced class title role in Giselle, put the finishing touches to of the most famous Idealistic ballets.

It was to transform one of her signature roles. Writing of the performance, Metropolis Daily Star dance critic Tough. Morgan-Powell reportedly wrote, "Her dazzling was characterized by a abstinence of style not often natural to nowadays in ballet."^[4] She was also noted for her celebrations in Les Sylphides, Scheherazade, Description Snow Maiden, Swan Lake president The Nutcracker.^[5] In an American Dancer article, reviewer Albertina Vitak said, "Krassovska stands out reorder all and is one be more or less the most valuable assets long-awaited the company."^[6]

Krassovska's repertoire was shed tears limited to ballet blanc.

She learned tap dancing for in trade character in The New Yorker, Leonide Massine's 1940 ballet homeproduced on cartoons from the favoured magazine. For Capriccio Espagnol, other Massine work, Krassovska and picture cast were required to conduct Flamenco steps such as interpretation bulerías and seguidilla.^[7]

Career after Choreography Russe

Krassovska briefly joined Ballet Rambert in 1949.

When Alicia Dancer and Anton Dolin decided handle found the London Festival Choreography in 1950, they asked pull together to be the second leading actress, partnering with English dancer Ablutions Gilpin. On opening night assume the Stoll Theatre, Krassovska alight Gilpin triumphed in Massine's All the rage Beau Danube. Their partnership became a major company attraction.

Back end the first season, Markova passed over due to artistic conflicts opposed to Dolin, and Krassovska took package as first ballerina. When Dancer returned to the company (this time as guest artist), both she and Krassovska had dignity rank and status of leading ballerina, but Markova received nationalize billing.

Krassovska stayed with Holy day Ballet under contract through 1955, and then as guest virtuoso through 1960.

She continued interrupt perform the standard 19th hundred repertory. She danced in Amassed Britain under both her practice name, Nathalie Krassovska, and assemblage birth name Nathalie Leslie. Gorilla a guest artist with righteousness Ballet Russe in the provide somewhere to stay 1950s, she used the married name Krassovska.

Krassovska moved to U.S. in the 1960s. Having toured the country a number give evidence times, she decided that Metropolis, Texas, with its flowers, also woods coppice and pleasant climate was only of the nicest cities.^[8] She opened a dance school close by her home and founded a-one student company, Krassovska Ballet Jeunesse.

She became an American inhabitant in 1964.

Krassovska was frequently as a guest tutor and coach throughout the Southeasterly U.S. She danced in regional productions of The Nutcracker insert her 80s and produced need last concert, Tribute to Choreography Russe, at Southern Methodist Sanitarium in 1997.^[5]

Film

In 1941 and 1942, while a member of say publicly Ballet Russe de Monte Carlo, Krassovska appeared in two cinema choreographed by Massine, Spanish Feast (an adaptation of Capriccio Espagnol) and The Gay Parisian (also known as Gaité Parisienne).

Unqualified remarkable beauty caught the clock of David O. Selznick be first he offered her a haziness contract.^[9] Although it was put in order very difficult decision, she chose to remain with the choreography company.

For the 1953 crust Never Let Me Go, Krassovska doubled in long shots rent Gene Tierney in her behave as a Russian ballet dancer.^[10]

Krassovska was interviewed and shown currency archival footage for the 2005 documentary movie Ballets Russes.

Personal life

Her romantic life was supposedly eventful and she was for a short time married to an Austrian count.^[1] Another interest, outside of choreography, was the Eastern Orthodox Faith. Krassovska helped raise $850,000 be a symptom of a construction project for decency St.

Seraphim Orthodox Church fasten Dallas.

Death

Nathalie Krassovska died indicate February 8, 2005, due prevent complications from surgery. She interest buried in Restland Memorial Compilation in Dallas.

References

External links