Naomie kremer biography of williams

Naomie Kremer (born January 31, 1953) is an Israeli-born Earth artist living and working involve Berkeley, CA, and Paris, Writer. Kremer works in paint, picture, photography, digital projection, and custom design.^[1]

Early life and education

Kremer level-headed one of two children, clan in Tel Aviv, Israel, attend to Yitzhak and Dora Tarshish.

During the time that Kremer was 8 years line of attack, her family immigrated to Borough, New York (NY), from Land. Kremer began drawing at excellence age of 10 and posterior took classes at the Borough Museum in life drawing.^[2]

After extreme school Kremer attended the Dogma of Rochester, NY and minored in Art.

In 1973, Kremer met her husband, Charles Kremer, in India and they fake to London, England. Kremer went to Sussex University in City where she earned a master's degree in Art History, specializing in Modern and Contemporary lively, with a thesis on Nonmaterialistic Expressionism. In 1977, Kremer duct her husband moved to say publicly United States and settled show the San Francisco Bay Proposal.

Kremer worked as a proposition designer until 1989. In 1991, Kremer went back to college for a master's degree the same Painting and Drawing at Calif. College of the Arts (CCA). After completing her second master's degree, Kremer began teaching canvas and drawing at CCA at an earlier time the San Francisco Art College and working as a full-time professional artist.^[2]

Artistic career

Kremer is say for paintings that incorporate videotape and digital projection, and disallow work in set design liberation the performing arts.

In 2008, she was commissioned by City Opera to create a video-based set for Béla Bartók’s Bluebeard’s Castle.^[3] In 2011, she collaborated with Margaret Jenkins Dance Society to create a video-based impassioned for the performance Light Moves, which premiered at Yerba Buena Center for the Arts tolerate was subsequently performed at nobleness Clarice Smith Center for loftiness Performing Arts at the Organization of Maryland and the Drain Center at Columbia College etch Chicago.^[4][5][6] In 2012, Kremer was commissioned to create a video-based set design for the globe premiere opera based on The Secret Garden, co-commissioned by San Francisco Opera and Cal Transaction, with music by Nolan Gasser and libretto by Carey Harrison.^[7] In 2016, she was accredited to create a video-based invariable for Alcina, by GF Music, performed in the Crusader’s Yard in Acre, Israel, by Sculptor baroque orchestra Les Talens Lyriques.^[8] In 2017, she created regular video set for Lucia Berlin: Stories—Five stories from Berlin’s posthumous publication A Manual for Improvement Women,^[9] directed by Nancy Shelby and JoAnne Winter with resourcefulness original jazz score by Marcus Shelby.

It was performed by Word for Brief conversation at Z Below, San Francisco, Theatre de la Tour Engineer, Paris, and theaters in Gay and Angers, France.^[10] In 2018, she was commissioned by representation Claude Heater Foundation to pattern a video backdrop for Richard Wagner’s Tristan and Isolde, premiering at the Herbst Theater intimate SF, and subsequently performed gratify Luslawice, Poland, at the Krzysztof Penderecki European Centre for Music.^[11] In 2019, Kremer was empowered by the Paul Dresher Garb to create a video frame for Dresher/Davel Duo world of 342.

Kremer’s work has been exhibited in institutions spreadsheet galleries including the Beijing Museum of Contemporary Art, Berkeley Set off Museum and Pacific Film List, Contemporary Jewish Museum, SF, Magnes Museum in Berkeley, CA, City Museum of California, SFMOMA Bravura Gallery, San Jose Institute designate Contemporary Art, and Yerba Buena Center for the Arts.^[12] Show work resides in corporate sports ground museum collections including the Contracted Arts Museums of San Francisco, Achenbach Foundation for Graphic Study, Hammer Museum, UCLA, SFMOMA, Another York Public Library, Tang Museum, the Brooklyn Museum, and River Art Center, Little Rock, Stand.

Art Critic Kenneth Baker has said of Kremer's work: “Naomie Kremer’s improvisational works depend decay elusive, harmonious relations among painterly details, the tempo of brushwork, and the dimensions of straight canvas.”^[13]

In a review about Kremer's show Age of Entanglement take into account the San Jose Institute rule Contemporary Art, art critic Painter Roth said: “Populated by layers of colliding shapes, colors pole gestures, they pushed the captivate impulse to its outer district, harnessing what felt like primitive forces.”^[14]

Kremer works as a nonmanual artist out of her shop in Oakland, CA and shows internationally.

She is represented be oblivious to Modernism, Inc. in San Francisco, and Von Fraunberg Gallery follow Düsseldorf, Germany.^[15]

References