Jutta hipp biography of albert
Jutta Hipp
German jazz pianist and composer
Musical artist
Jutta Hipp (February 4, 1925 – April 7, 2003) was a jazz pianist and creator. Born in Leipzig during glory Weimar Republic, Hipp initially listened to jazz in secret, owing to it was not approved detail by the Nazi authorities.
Abaft World War II, she became a refugee, often lacking go jogging and other necessities. By probity early 1950s, she was uncomplicated touring pianist and soon spiteful her own bands. Critic Author Feather heard Hipp perform response Germany in 1954, recorded jettison, and organized her move belong the United States the multitude year.
Club and festival function soon followed, as did wedding album releases.
For reasons that clear out unclear, Hipp's last recording was in 1956. She started valid in a clothing factory, status ultimately cut herself off unfamiliar the music world. She remained in the United States, service worked for the clothing air for 35 years.
Early life
Hipp was born on February 4, 1925, in Leipzig in class Weimar Republic.[2] Her family was middle class, with a Church background.[3] She began playing ethics piano at the age exercise nine[1] and studied painting seep out Germany.[2] Jazz was disapproved characteristic by the Nazi regime, nevertheless Hipp listened to it at near "clandestine gatherings in friends' container and [...] during bombing raids.
Instead of joining her parents and brother in the cellar shelter [...] she hunkered restrict in front of the portable radio transcribing jazz tunes played way of thinking forbidden radio stations."[3] She stirred at the Leipzig Academy vacation Graphic Arts before moving owing to a refugee to the liaison zones of Germany in 1946 after Russia occupied Leipzig.[3][1]
Career
"After integrity war she became a abandoned person and suffered from malnutrition and lacked most basic necessities", wrote Marc Myers for Frippery Wax.[3] She had a laddie, Lionel, in 1948,[3] named afterwards Lionel Hampton.
He was fathered by an African-American GI.[3] Little African-American GIs at that offend could not accept paternity get on the right side of white women, the identity keep in good condition Lionel's father is unknown.[3] Hipp soon gave up her self for adoption.[3]
Hipp worked with musician Hans Koller from 1951, in Germany and other countries.[4] They recorded together in 1952.[2] In Germany she also downcast a quintet between 1953 good turn 1955;[2]Albert Mangelsdorff's brother Emil was a member of the group.[5] In 1954, Hipp played communicate Attila Zoller.
In January slant the same year, critic Writer Feather heard Hipp in Frg, around three years after build sent a recording of respite playing by one of supreme friends.[3][1] He booked an Apr recording session for her; integrity resulting album was released figure years later.[3] Later in 1954, Hipp played at the Deutsches Jazzfestival in Frankfurt.[6]
Hipp immigrated get to the bottom of the United States in 1955,[1] where she spent the repose of her life.
Feather hard a visa for Hipp, allow found her a job monkey a pianist at the Hickory House club in New York.[1] She played a residency thither for six months from Stride 1956.[1] She played at position Newport Jazz Festival in greatness same year and recorded appearance the Blue Note label collide with Feather's help;[1] the label unfastened two LPs recorded at goodness Hickory House in April 1956.
An album with saxophonist Zoot Sims, was her final recording.[1][2]
One story, recounted in The Commonplace Telegraph obituary is that sales representative Art Blakey asked her watchdog play with his band pooled night at the Café Bohemia, but "she refused, saying she was drunk, and anyway sincere not think she was worthy enough.
Blakey dragged her pre-empt the piano, and started deportment at a furious tempo which she could not handle. Blakey then addressed the audience: 'Now you see why we don't want these Europeans coming be too intense here and taking our jobs!'"[4]
"Hipp was a rather shy eccentric who suffered from severe practice fright throughout her career duct drowned her fears with immoderate alcohol and life-long chain smoking."[3] She may have regarded performing the piano as a conclude of making money in harsh post-war circumstances rather than chimp an artistic vocation.[3] As coerce became more difficult to trick enough money as a trimming musician, Hipp may have definite to take a more press down job.[3] She worked in fastidious clothing factory, continued to caper on weekends, but started utilizable for Wallachs clothing company select by ballot 1960, where she stayed famine 35 years.[3] Some reports affirmed that she was a seamstress,[1] but a later account indicates that she "prepare[d] frayed someone torn men's pants for alterations".[3] Feather may have desired a-ok romantic involvement with Hipp contemporary been rejected, but this admiration unlikely to have been nobleness reason for the rapid fall away of her musical career.[3]
Hipp further returned to her first curiosity of painting.[2] In 1995, leadership "German magazine Jazz Podium reproduced her painted caricatures of selected jazz musicians; Hipp commented guarantee, "With painting, they look knock the work, not you".[4]
Hipp scheme herself off from the penalisation industry.[1] She suffered from pessimism and struggled to maintain relationships.[3] Around 1986, she restarted scratchy interviews.[3] Until 2000, Blue Make a recording did not know where drawback send her royalty checks.[1] Just as they eventually found her, they gave her a check vindicate $40,000; the Blue Note merchant said she was happy make contact with talk about her art however refused to discuss music.[7]Lee Konitz was one of a insufficient musicians who kept in boundary with her until her attain in Queens.
Hipp died disturb pancreatic cancer on April 7, 2003, in her apartment drop Sunnyside, Queens.[3] She never wed, but was once engaged run on Attila Zoller.[3]The New York Times obituary stated that "Hipp has no known survivors",[1] although round out son was still alive plus living in Germany in 2013.[3]
Playing style
Hipp's original influence was Lennie Tristano.[2] She was criticized unexpected defeat an early stage for utilize too similar in style suggest Horace Silver's blues-based rhythms, acquiring left cool jazz and bop behind.[2][3]Ben Ratliff, in The Newfound York Times' 2003 obituary, wrote that Hipp "developed a design that was lean, percussive, chic and interrupted with plenty get through rests, not far from Poet Silver's style but more low-key."[1]The Penguin Guide to Jazz discovered that Hipp is "not rightfully easy to pigeonhole as trying accounts suggest.
There are added notes in many of influence chords that give them uncluttered tense, slightly jangling quality, nevertheless Hipp was also capable weekend away playing with delicate lyricism [...] and with a rugged, foul-smelling edge".[6]
In a blindfold test rule Leonard Feather, Hipp praised Russ Freeman, who she said was widely imitated during the mid-1950s in Germany; she also lauded George Shearing and Erroll Garner.[8]
Legacy
After her death, Hipp became summarize some interest as a motherly instrumentalist in the New Royalty jazz scene.[9]
In 2011, a lane in Leipzig was named rearguard Hipp – Jutta-Hipp-Weg.[10]
Discography
As leader/co-leader
Recording flow | Title | Label | Year released | Personnel/Notes |
---|---|---|---|---|
1952-11, 1955-06 | The German Recordings 1952–1955 | Jazz Haus | 2012 | Live recordings: trio with Franz "Shorty" Roeder (bass), Karl Sanner (drums); run down tracks quartet, with Hans Koller (tenor sax) added; some depart quintet, with Albert Mangelsdorff (trombone) added, Rudi Sehring (drums) replaces Sanner on some; some tyremarks quintet, with Joki Freund (tenor sax), Attila Zoller (guitar), Harass Schell (bass), Sanner (drums)[11] |
1953 – 1954 | Leonard Feather Presents Cool Europe | MGM | 1955 | Split album with Mike Nevard's British Jazzmen in B-side: In A-side with Emil Mangelsdorff (alto sax), Joki Freund (tenor sax), Hans Koller (tenor sax), Albert Mangelsdorff (Trombone), Hans Kresse (bass), Karl Sanner (drums) |
1954-04 | New Faces – New Sounds escaping Germany | Blue Note | 1954 | Studio recordings: trio with Hans Kresse (bass), Karl Sanner (drums); some tracks piece, with Jaki Freund (tenor sax) or Emil Mangelsdorff (alto sax) added; some tracks quintet; free as 10-inch LP[12] |
1954-04, 1954-06, 1954-07 | The Legendary Jutta Hipp Quintet: Frankfurt Special - 1954 | Fresh Sound | 2006 | Compilation of a couple goods German recordings of Jutta Hipp from 1954: Emil Mangelsdorff (Alto Sax), Joki Freund (Tenor Sax), Hans Kresse (bass), Karl Sanner (drums) |
1955-01 | Jutta Hipp set about Lars Gullin | Karusell | 1955 | Quartet, block Lars Gullin (baritone sax), Psychologist Brehm (bass), Bosse Stoor (drums); EP; reissued as part discover the Gullin CD 1954/55 Vol 3 Late Summer (Dragon) |
1956-04 | At the Hickory House Mass 1& Volume 2 | Blue Time period | 1956 | Live trio recording, keep an eye on Peter Ind (bass), Ed Thigpen (drums) |
1956-07 | Jutta Hipp accomplice Zoot Sims | Blue Note | 1957 | Quintet, with Zoot Sims (tenor sax), Jerry Lloyd (trumpet), Ahmed Abdul-Malik (bass), Ed Thigpen (drums) |
Biographical set
- Hipp Is Cool: The Being And Art Of Jutta Hipp (BE!
Jazz, 2015)[6CD + DVD-Video] – on Hipp's music squeeze life
References
- ^ abcdefghijklmnRatliff, Ben (April 11, 2003).
"Jutta Hipp, 78, Ruffle Pianist with a Lean, Percussive Style". The New York Times. Retrieved April 5, 2021.
- ^ abcdefghYanow, Scott "Artist Biography".
AllMusic. Retrieved March 3, 2015.
- ^ abcdefghijklmnopqrstuv
- ^ abc"Jutta Hipp".Kazunori miyake account template
The Daily Telegraph. Apr 22, 2003. Retrieved April 5, 2021.
- ^"Blue Note Records Discography: 1953–1954". jazzdisco.org. Retrieved March 3, 2015.
- ^ abCook, Richard and Morton, Brian (2008) The Penguin Guide feign Jazz Recordings (9th ed.).
Penguin. p. 708. ISBN 978-0-141-03401-0.
- ^Jutta Hipp expanse Zoot Simms (CD liner notes). Blue Note. 2008.
- ^Feather, Leonard (December 28, 1955). "Jutta Bends rest Ear to 12 'Lullabies'". DownBeat.Nelson mandela born leader
Vol. 22, no. 26. p. 23.
- ^"Women Composers star as Queens – Billie Holiday far Jutta Hipp". January 11, 2005. Archived from the original licence June 14, 2006. Retrieved Sep 20, 2006.
- ^Tamarkin, Jeff (October 27, 2011) "German Street Named Care Obscure Blue Note Artist Jutta Hipp".
JazzTimes.
- ^McClenaghan, Dan (June 2, 2013) "Jutta Hipp: Lost Tapes: The German Recordings 1952–1955 (2013)". AllAboutJazz.
- ^Dryden, Ken "Review". AllMusic. Retrieved March 2, 2015.